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I've spent the last 7 years enjoying exploring the capabilities of antique cameras and historical process to create wonderfully pleasing images. Follow links above or from the top menu to explore the different types of image making I am working with. My Instagram feed shows my latest work and my blog has archived information.
If you’d like to collaborate, book a talk for your camera club or simply have a question for me, please don’t hesitate to get in touch.
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NEW! - buy my work through 'Bath Contemporary Artists Fair' website 

Up-coming presentations:

Clevedon Art Club, Clevedon School: 10-02-2026

Forest of Dean Camera Club: 23-03-2026

Stroud Camera Club: 10-10-2026

Backwell Camera Club: 03-12-2026

Cymru Monochrome Group: 16-08-2027 - Morriston, Swansea:

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Exhibiting:​​

Saturday 17th January to 7th March 2026- Studio3 at Clevedon Craft Centre.

  "Meet the artist (me!) - Sunday 8th Feb 11-4, Saturday 21st Feb 11-4

Friday 8th May to 3rd July 2026 - Studio3 at Clevedon Craft Centre.

Bath Contemporary Artists Fair

April 12th 2026

May 10th 2026

June 14th 2026

Artist statement:

What started off as an experiment; “Can I make a photograph with this 100-year old camera?” has become a passion for creating hand-crafted pictures that are more about the sense of the subject or place, than their literal representation. The discovery of the work of early photographers, their techniques and aesthetics has encouraged me to develop not only my skills but my “eye”. Each new (to me) antique camera, film format and historical printing technology prompts me to look at subjects and scenes with a different eye; one that exploits the uniqueness of each of those.

 

Pristinely clear images from our modern cameras and phones can be scanned, appraised, re-tweeted or ignored and then forgotten. But an image that draws you to explore, think, imagine, can create and deposit something of value in us, that will last.

To re-work the words of Edgar Degas;

A photograph requires a little mystery, some vagueness, some fantasy, some ambiguity.

 

Even at its best, life isn’t always perfect and photographs that are manipulated to say otherwise are dishonest. I like to keep, in my images, the honesty of the imperfect old camera lenses, the light leaks in the old bellows and the marks from the hand-made processing. This honesty adds to the quality of the images that give me most pleasure.

 

Antique cameras and historical processes are my tools to achieve this.
Simon Williams 2026

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